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2HUACS / 4ORCES

by The Terminal Buildings

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1.
Fossil Fuels 02:36
standing in the doorway of the Huge 'n' Tall looking like the picture on a bottle of calpol maybe i've got too much headroom and then i say i can't believe how much driving we used to do back when we had fossil fuels at our disposal d a g f#m em g f#m g f#m d we can take a look at the shifting of our view i think having a car is the new having a beamer i can't believe how much driving... back when...
2.
bm7 d5 dflat5 d4 d3 it's been a while and a time since you wanted to be mine do you still think it's a good idea to keep me on for nine g em g em years of your life [solo, as verse] g em g bm7 years of your life d e g d it's been a while and a time since i thought about the lines that i have followed chewed and swallowed and struggled to define g em g bm7 for years of my life
3.
i know because you implicate me in your adventures i know because you do my admin as well as yours but how do you know [solo] but how do you know x2 i know x3 but how do you know x3
4.
i don't know what you're about but you've seen me like this can't exactly hide it now that you've seen me like this i don't know what you're about but there's nothing stopping me from finding out
5.
Plastic 01:37
when I'm warm and fed with sweet food i can do anything i want but it's too too early for an irn bru c#m7 f#7 g#7 e f# b g#7 c#m7 f# I've got bags of plastic and packaging that wasn't made for lasting life so i try to use it twice g#m f# b f# c#m7 c#7 f# bmaj7 g#m g#m g#m g#m
6.
Absent 01:29
when it comes to the crunch i am the first to flake sit down pour myself a lemonade i'm absent and i'm right on time guess nobody not here will mind these days it's not enough to not care so throw a sign in the air duty calls and i've gone fishin fishin out a crisp fifteen for my non admission and there are the things that we don't talk about like how we're fleecin iain f and he won't call us out reaching for the public pocket fray the stitching a e f#m g (c#7 triplet)
7.
d| 0 7 a| 12 0 why don't we have more automatic taps in here why can't you just be normal a a g g f#m-bm-g thought that I passed sue tissu? but what would she do round here caught out by an eye for proof that's never been that near you go home and cease to be, or that's what i assume wouldn't double take at someone who looks like su tissu d d a -e f#m f#m d -e a a a -e f#m f#m d -e what are other people interested in i'm sunk into a stencil wasting my potential c# c#m b bm d bm bm g a i don't like or recognise this world any more it's 100 years from now i'm still around somehow and my arms are getting sore why don't we have more automatic taps in here i can't be the only one who wants them (why can't you just be normal)
8.
i'm not scared of them i'm worried about the absence and the possibility irritation from a few crumbs in the ulcer angling for a view i don't worry about the way it's forcing me to stay you never keep the stones out of your shoes that's how you lose
9.
Minor Tasks 02:01
a# f c cm d# dm7 cm f i wish i had not asked turned my back continued with my minor tasks i wish i had not heard the missing word with intent the story blurs d# f gm,g7,cm,c# d# f to be so not good for so long to be so wrong i saw it in the light i read online imagine though if i was right
10.
Let You Down 00:59
i don't want to let you down but i think it's too late for that now i don't wanna let you down but i'm still tryna figure out how cm7 dmaj7 bm7 e7 e7 i don't remember what i thought before of course i don't remember things you say to me unless i write them down
11.
dip my elbow in the water just enough to say i felt it the temperature is too high for me i think i have melted i need to see you constantly you're almost in a memory of books and trees and fax machines suddenly i feel better is this a hit or is this a missive i'm always on my way home i'm always on my way home (for you) just because it's true for you doesn't make it universal i hope it's freaky friday soon cause i'd like a role reversal you're so smart i can't relate is it too late for me to change take my shade of lazy days and write me back a letter is this a hit or is this a missive [no way home bit] the road out- side my window is so loud (how loud is it?) and when i try to block it out the background noise becomes a shout a tarmac rubber river [drag out that c] is this a hit or is this a missive g(m) cmaj7 d7 a7 bm7 g em csus2 g cmaj7 a7 csus2 d c d am7 am7
12.
it's not illegal to kill me an old timey strong man would do it in a flash, leopard print my life away i fully expect to be collateral damage when the revolution comes, waiting for the drums it's okay guys, i'll take one for the team i fully expect to get collaterally damaged when the revolution comes I'm waiting for the drums i'm waiting for the drums it's unbelievable to me that i could be wrong when i've never even tried to be right or anything i fully expect to get collaterally damaged when the revolution comes d f cmaj7
13.
am am g g d d c c one of these days someone will put me on the block and i could defeat myself but that is someone else's job and i wouldn't deprive you of the pleasure em d c c opting out of everything has lost its initial charm i'm always on during the days when you are off and noone wants to hear me talk about that stuff [opting out] russ would like to be forgiven i would like to be done with doing d c am am g g,c [em d c c a7 a7 a7 a7] [chorus]
14.
Happy 02:09
am g dm g f c g g c c/b am g f i've never been so happy in all my life you made me fold into a shape i like i don't mind to hear you on the line hear you on the line
15.
Like A Wall 01:43
g a bm,f#m,em g g a bm,f#m,e i don't like science any more because it doesn't agree with me in the way it did before look at the time i'd better get gone (a move on) go out for a cigarette i'll stand and watch f# f# g cmaj7aug4 it seemed like i trapped myself in time d d bm bm d then it hit me like a wall i ran into
16.
Hanging Out? 00:49
everybody knows it's easy to let one person do the talking everybody knows i'm just hanging out tonight gm gm a# a# f d# gm d# play again with solo everybody knows i'm just hanging out tonight a#
17.
(intro) the sign says experience virtual reality but i haven't yet experienced real reality f f a# a# a f, c g g and the echelons (espousing the hunt?)are singing their song you're on crossed legs right at the front dm d a# a#-a-g#-g mouth agape like an uninhabited cave a# f, a a# a#, c# (ooh chorus) it's two thousand and eight and we're coming to identical conclusions but they reflect worse on you i got chiseled out of that groove and you're the one refusing to move i'm afraid you're never gonna escape (ooh chorus) [bridge] d a a# g you have a cool way with a roman numeral and a tone that i respect but it's not enough to overrule low level and ramping up fast didn't know you'd disappoint me like that i'm afraid you're never gonna escape mouth agape like an uninhabited cave you're the same (c) in a base and embarrassing way (ooh chorus) (intro)
18.
It's Easy! 02:01
i fell in front of the tv you behind a book the cushion slips itself out to meet me settled and i'm hooked i was stuck there till the morning the impetus was gone none could ever get attention from me for so long cause it's easy new red flags are burning through my sorry skin i go home and rue the mess that i got myself in to keep my ears under ground to get my self out of here now
19.
somebody way back when placed a curse of discontentedness on you and your children and their children and their children down to me i don't know what you did i don't know what you gained and i hope it doesn't surface for my sake you put on Eyes that Try for Everything's Fine, when you look in mine look out of the window and you will see a guy who has made a bad dec ision and it's too late to retry straining arms that fold, i'm good as gold, but i've been missold, to myself

about

According to my file properties I started recording this on my birthday.
Happy birthday to me.

Recorded in my flat between July 2018 and March 2019.

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released June 4, 2019

All the songs and all the sounds by me.

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The Terminal Buildings Glasgow, UK

All music on here is free. I've left everything as PWYW in case you want to add it to your Bandcamp collection, but any payments made will be donated to whatever worthy cause I fancy.

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